The hood is executed in the or nué technique, which was fashionable in the fifteenth and sixteenth centuries in the Netherlands and beyond. The cope and hood formed part of the treasure of Lausanne Cathedral and was dispatched to Bern when the Protestants advanced upon Lausanne in 1536. The cope had been commissioned by Jacques of Savoy (1450-1486) and presented by him to the Bishop of Lausanne, apparently before 1476.
The embroidery on the hood is ascribed to the workshop of the painter, Rogier van der Weijden (1399/1400-1464) in Doornik/Tournai, in western Belgium.
Wikipedia (retrieved 31 October 2016).
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