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Woman's velvet face covering from Oman, late 20th century (TRC 2005.0226).Woman's velvet face covering from Oman, late 20th century (TRC 2005.0226).Caps, hats, veils, bonnets, shawls, dresses, cloaks and capes, coats, jackets, skirts and trousers have all been made in velvet. Some garments, such as the ten-metre long velvet skirts worn by Eastern Kurdish women in eastern Iran are extremely heavy, while other forms, such as knitted velours, are very light in comparison.

It is noticeable that the types of velvets intended for clothing have changed dramatically over the centuries and across the world. When people (men, women and children) in Europe, for instance, wore velvet garments in the Renaissance period, these tended to be heavy, difficult to drape and decorated with large designs. The garments were intended to show off the designs and the expense involved in making and wearing such fabrics.

By that time, military garments and accessories were also made from velvet, such as royal surcoats worn at tournaments, etc. Velvet was also used to cover plate armour and, of course, it was applied for animal trappings and saddlecloths, as well as for reins, saddles and stirrups.

By the mid-sixteenth century, there was a general movement towards the use of lighter, cut and uncut pile velvets with a satin ground and decorated with small designs. The garments could be shaped into more fashionable forms of clothing. These velvets became very popular, especially for women’s dresses and men’s jackets.

By the nineteenth century, a wide range of garments was still made from velvet, and these included various items, ranging from hats to shoes, literally covering the body from head to foot. Some of the most elaborate uses of velvet can be seen in the garments worn at coronations and royal marriages. The velvet used for the coronation of the French Emperor Napoleon and his wife José phine de Beauharnais in 1804, for example, included vast quantities of velvet for their embroidered cloaks and trains.

Photograph from the 1920s showing a professional model wearing a velvet dress with a design of leopard skin spots (TRC 2018.3137).Photograph from the 1920s showing a professional model wearing a velvet dress with a design of leopard skin spots (TRC 2018.3137).Smaller quantities of velvet were used by ‘ordinary’ people, especially from the mid-nineteenth century onwards, when velvet had become comparatively easy and much cheaper to produce.

The popularity of velvet went down as a result of the Second World War (1939-1945) and the ensuing austerity. This changed in the 1960’s and 1970’s, when it was worn by men and women associated with the hippy tradition and the bohemian way of life.

The use of stretch velvet for indoor training outfits (tops and trousers) is regarded by some as the lowest of the low point for a once royal fabric. Perhaps it is time for a revival of Velvet!

 

Chapters:

Velvet: A luxurious textile in the TRC spotlights

A brief history of velvet

The raw materials

The production of velvet

The main types of velvet

Classic velvet designs

Clothing and velvets

Furnishing velvets

Some alternative velvets

 

 


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TRC closed until 4 May 2026

The TRC is closed to the public until Monday, 4 May 2026, due to our move to the Boerhaavelaan. The TRC remains in contact via the web, telephone and email. For direct contact and personal visits, please contact the TRC at office@trcleiden.org, or by mobile, 06-28830428.

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The TRC is dependent on project support and individual donations. All of our work is being carried out by volunteers. To support the TRC activities, we therefore welcome your financial assistance: donations can be transferred to bank account number (IBAN) NL39 INGB 000 298 2359, in the name of the Stichting Textile Research Centre. BIC code is: INGBNL2A.

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