The Textile Research Centre, Leiden.From early 2026, the Textile Research Centre, Leiden, the Netherlands, is offering a total of seven junior and four senior fellowships for up to six months each. The first junior fellow has started her work in Leiden in April.

The fellowships are being sponsored by the Gieskes-Strijbis Foundation, Amsterdam. Fellows are invited to carry out research based on the TRC’s extensive textiles and dress collection of some 53,000 objects (click here for the catalogue). The junior fellows are supervised and assisted by TRC staff; senior fellows carry out independent research.

We are now opening the second round of the fellowships that covers:

• Two junior positions
• One senior position

These will be starting in October 2026 (with a degree of flexibility), for a duration of up to 6 months. Applications for these positions should be submitted by email to the TRC by 20 June 2026 (This email address is being protected from spambots. You need JavaScript enabled to view it.)  with the reference: ‘Fellowship programme Junior/ Senior' (depending on the position applied for).

Fig. 1. Finishing the move: Group photograph with the lads (and Gillian), 10 April. Photograph by Emilie Lambert.Another busy week at the TRC! The painters, electricians, curtain and security people have finished their work. The builders are doing the last few jobs and making plans for what needs to be done later in the year, especially on the outside.

The last deliveries for now by the removal company have just taken place (Fig. 1) and then, hopefully, there will be a period of a little peace and quiet, so we have time to get used to the building and see and discuss what needs to be done.

We are talking with Stichting Monumentenbezit (the new owners of B6) and others, for example, about having an annex in the garden for the permanent storage of the TRC Collection. Leiden Council and Monumentenbezit have already given their permission for the annex to be built, and now we have to find the funding. As you can imagine, there is much to think about and do on this subject matter.

We have also been discussing what should be done with the 150-200 year old Amsterdam waffle-house (or was it for pancakes?), which since the 1920s has been a feature of what is now the TRC garden, but originates from a bridge in Amsterdam (close to the current Koningsplein). It is a lovely wooden building, but in a poor condition. The romantic in me can see summer events, including lectures, buffet dinners, workshops on fibre plants and natural dyeing, etc. In addition, I know someone close to me who wants to write his memoirs there. But again this is a subject for later thoughts and discussions!

Fig. 1. Postage stamp issued in Cyprus in 1981 to commemorate the 500th anniversary of the visit of Leonardo da Vinci to Cyprus. Above: The Duomo in Milan. Below: A piece of Lefkara lace.The TRC Leiden is very pleased to announce a special workshop on Lefkara or Lefkarika lace, scheduled for 21 May, and repeated on 22 May. The workshops are given by Eleni Anemomilou, who is coming especially to The Netherlands to give these and other workshops. Her trip is organised by the Cyprus Handicraft Service. 

Lefkara lace or whitework is one of the embroidery techniques that were traditionally practised in Cyprus. It is a form of cutwork with satin stitch details. It is often classed as a form of embroidered lace. Nelleke Ganzevoort wrote a detailed blog about this fascinating technique five years ago, which the TRC published on 21 December 2021. In 2009, the Lefkara lace technique was included in the UNESCO Representative List of the Intangible Cultural Heritage of Humanity.

Lefkara lace is said to originate from the village of (Pano or Kato) Lefkara, Cyprus, and is locally called tayiadha (compare the Italian term punto tagliato, for cutwork ). Lefkara lace is said to have been developed in the time of the Venetian occupation of Cyprus (1489-1571), when reticella work was introduced to the island and local women copied the whitework's appearance, but using a different technique.

The move to Boerhaavelaan 6 is nearly finished, just a few more weeks and all the rebuilding, painting, furnishing, packing and putting away of boxes will be over! A great relief to all.

I would just like to extend a big ‘Thank You’ to everyone who has made a donation to the TRC moving fund. It made such a difference to have your support, best wishes and interest in what we are doing and plan to do. Please feel free to come and see what you have helped to create - the new and improved TRC is an elegant, early 20th century town villa!

Inevitably, we continue looking for help with different projects, and any further financial assistance will be greatly appreciated.

The TRC will open again to the public on Monday 11th May, but in the meantime, workshops, study days and lectures are already being presented. And I can assure you, there is lots more to come!.

Gillian Vogelsang-Eastwood, Director TRC, 4 April 2026.

Although we will not officially reopen the TRC to the public until Monday, the 4h May, we are already welcoming individuals and groups visitors at our new premises at Boerhaavelaan 6, as well as starting a busy programme of workshops, study days and lectures. And of course there was the recent book presentation with the Mayor of Leiden. 

Taiwanese delegation visiting the TRC, with Gillian Vogelsang in their midst. They are standing in the garden of Boerhaavelaan 6. In the background is the garden pavilion.

It has been quite a week, as we were preparing the TRC’s new home on the Boerhaavelaan for a ‘soft opening’ last Thursday (26th March 2026). It took the form of a book presentation with a guest-of-honour, namely Peter Heijkoop, the Mayor of Leiden. The book in question is the Atlas van de Borduurkunst. Een wereldreis langs erfgoed en stijlen (WBooks, 2026), which is the Dutch version of the Atlas of World Embroidery. A global exploration of heritage and styles (Princeton University Press, 2026). The author is Dr Gillian Vogelsang-Eastwood, Director of the TRC.

The Mayor, Peter Heijkoop, receives a copy of the Atlas from the author. Copyright Joost Kolkman. 

The new home of the TRC, from the garden. Photograph: Willem Vogelsang.From April 1st, we are officially the proud tenants of the urban villa Boerhaavelaan 6, Leiden. The house is located some 200 metres from the Central Leiden Railway Station, Oegstgeest exit.

Please have a look at the list of activities below (you can find the provisional list of activities for 2026 here), and let us know which ones you would like to attend. Please register in advance at This email address is being protected from spambots. You need JavaScript enabled to view it..

1 April. Workshop Irish crochet lace

3 April. Study day: Khayamiya appliqué panels from Cairo, Egypt

8 April. Beginners course: Bobbin lace (3)

15 April. Workshop: Basics of band weaving

19 April. Sunday lecture: The history of the paisley motif

20-24 April. TRC Five-Day Intensive Textile Course

29 April. Advanced course: Bobbin lace (4) 

Moroccan kaftan for a woman, made from a Japanese kimono sash (obi), 1950s (TRC 2001.0074).

3 May. Sunday lecture: Sustainability and WWII textiles

6 May. Workshop: Basics of felt making

8 May. Study day: What is embroidery?

13 May. Workshop: Historical handsewing techniques

13 May. Advanced course: Bobbin lace (5)

20 May. Workshop: Palestinian embroidery

27 May. Advanced course: Bobbin lace (6)

31 May. Sunday lecture: Tutankhamun's wardrobe

Yesterday, Friday 20th March, the rental contract for Boerhaavelaan 6 was signed between the owners, the Stichting Monumentenbezit, and the TRC! This may be one small step for mankind, but it is one large step for TRC’s plans for becoming the international hub for textile and dress studies and for making Leiden into the ‘City of Textile Knowledge’ a reality! 

Photograph, from left to right: Mark van den Bos, Director Monumentenbezit, Dr. Gillian Vogelsang-Eastwood, Director TRC and Prof. Bas ter Haar Romeny, Chair of the TRC Board.

An extensive programme of research, events, and textile outreach is being organised for this year and indeed for the years to come. And the signing of the contract is a very significant moment for us all.