During the latter half of the twentieth century, Bayt al-Fakih daily dresses were often made from a black cotton cloth decorated with couched cotton bands of various sizes. Around the neck opening there is normally a broad band in silver metal thread work. These bands are made from green, red or white threads and decorated with woven and hand-wrapped silver strips.
Festive Bayt al-Faqih dresses (korta) are made from a similar black cotton cloth, but are much more elaborately decorated than the daily versions. The festive version often has a flash of colour created by narrow strips of brightly coloured cloth sewn to the ground material and then partially covered with (couched) silver bands. Similar bands are used on dresses from other parts of the Tihamah, notably from the Al-Hudaydah and the Zabid areas.
The designs on the front of the Bayt al-Faqih garments are based on blocks of various sizes, which are made up of vertical and horizontal bands. Occasionally there are stylised flowers and wheels (possibly sun bursts) between the blocks. There is comparable embroidery on the back of the dresses.
The festive dresses from this region are some of the most well-known Yemeni forms and are often described as bridal dresses. They are worn, however, by married women on other important, festive occasions. In particular, they are associated with farmer’s wives.
Sources:
- MAURIÈRES, Arnaud, Philippe CHAMBON, and Éric OSSART (2003). Reines de Saba: Itinéraires Textiles au Yémen, Aix-en Provence: Édisud.
- RANSOM, Marjorie and Gillian VOGELSANG-EASTWOOD (2016). 'Embroidery from Yemen,' in: Gillian Vogelsang-Eastwood (ed.), Encyclopedia of Embroidery from the Arab World, London: Bloomsbury Academic, pp. 520-559.
- STONE, Francine (1985). Studies on the Tihamah: The Report of the Tihamah Expedition 1982 and Related Papers, London: Longman.
TRC online catalogue (retrieved 17 April 2017).
GVE