Clothes Make the Nation

National festive women's costume designed mid-19th century by the Icelandic painter, Sigurdur Gudmundsson.

National festive women's costume designed mid-19th century by the Icelandic painter, Sigurdur Gudmundsson.

Shelley Anderson, TRC volunteer, recently visited Iceland. On Sunday, 21st October, she writes:

A visit to the National Museum of Iceland  in Reykjavik is a must for anyone who loves textiles. While there is no specific section devoted to textiles, the museum’s third floor houses the permanent exhibition “Making of a Nation: Heritage and History of Iceland”. Some beautiful examples of costumes, altar frontals, ecclesiastical clothing and domestic textiles are scattered throughout this display.

Two costumes struck me in particular, as they illustrate the close connection between dress and identity. The first is a pre-1860 ensemble that was considered the national festive dress for women. Called faldbuningur, it includes a high white headdress with a multicoloured silk kerchief; another silk neckchief (dated to 1780-1800); a jacket worn over a sleeveless bodice, both of black, woollen broadcloth with embroidered borders; a velvet belt, with a large white handkerchief in drawn thread technique hanging from it; and a blue broadcloth skirt and apron.

The skirt and apron were especially interesting to me, because both the owner and the woman who made the decorative needlework are recorded. The skirt was made around 1798 for Valgerdur Jonsdottir, who later married a bishop. The woman who did the split stitch embroidery on the garment was Gudrun the Elder, who was born in 1740. It’s striking how many female embroiderers are known by name in Iceland. In fact, one such famous needle woman, Ragnheidur Jonsdottir (1646-1715), is still honoured today by being depicted on the 5000 kroner Icelandic bank note.

This form of festive dress had a deliberate make-over beginning in 1858. Nationalism was rising in Iceland, which then was still under Danish rule. A new national dress for women was proposed by the influential painter, Sigurdur Gudmundsson, called the skautbuningur. It was quickly adopted and is still worn on formal occasions by Icelandic women. There is a beautiful example in the National Museum. Again, it is made of black woollen broadcloth, this time skillfully embellished with silver thread embroidery along the edges of the jacket and skirt. A pendant belt, made of silver, is worn around the waist.

The most striking difference between this and the older costume is the headdress. A white headdress with a slight peak is worn, accompanied by a long white veil and a gilded fillet. The Museum’s garment is the oldest known of this type and was made by Sigurlaug Gunnarsdottir, following Gudmundsson’s instructions, in 1860.

Donations

 
Financial donations to the TRC can be made via Paypal; Donaties aan de TRC kunnen worden overgemaakt via Paypal:
 
 

TRC in a nutshell

Hogewoerd 164, 2311 HW Leiden. Tel. +31 (0)71 5134144 / +31 (0)6 28830428   info@trc-leiden.nl

Opening times: Monday to Thursday: 10.00-16.00 hrs, other days by appointment.

Bank account number: NL39 INGB 0002 9823 59

Entrance is free, but donations are always welcome !

TRC Gallery exhibition: 7-28 November: Resist printing and dyeing with indigo

facebook 2015 logo detail

 

 

Donations

The TRC is dependent on project support and individual donations. All of our work is being carried out by volunteers. To support the TRC activities, we therefore welcome your financial assistance: donations can be transferred to bank account number NL39 INGB 000 298 2359, in the name of the Textile Research Centre, Leiden. Since the TRC is officially recognised as a non-profit making cultural institution (ANBI), donations are tax deductible for 125% for individuals, and 150% for commercial companies. For more information, click here
 
Financial donations to the TRC can be made via Paypal: