Coptic textiles from Egypt

The last few days have been spent in Antwerp attending the 9th Textiles from the Nile Valley conference (27-28 November 2015) at the Katoen Natie Museum, Antwerp, Belgium. This is a biennial event that brings together specialists in many different fields, but all connected by their scholarly interest in the early history of Egyptian textiles. The range of papers presented was equally diverse and included excavation reports, particular textiles of note, art historical comparisons, museum collections, and the work of various people in the past, notably Louise Bellinger, a grand dame of textiles from the 1940s and 50s. Most of the papers referred to textiles from the first millennium AD, and in particular those linked to the Coptic period.

There was also a fascinating example of why replicas are important, both in terms of learning how they are made and how they are worn, namely in the form of a sprang cap that was re-created during the re-cataloguing of part of the Louvre Museums collection of Egyptian textiles. This talk (with practical demonstration) came shortly after a fascinating discussion about the history of nålebinding in Egypt and the making and repairing of socks made in this manner. Both of these talks stressed the importance of non-woven forms of decorative textiles within the textile repertoire of Egypt. Something that tends to be lost among the vast numbers of decorative woven forms, notably the so-called Coptic tapestries.

As with all conferences it was the chance to meet 'old' colleagues, as well as new ones, which played an important role in the event. It is good to know that there are so many students working at various levels who are opening up new areas of research within the field of Egyptian textiles. The conference papers are regularly published in a series of well illustrated volumes that are available from the Katoen Natie web shop. These are well worth having for the range of information presented in a 'proper' book form. A big thanks goes to both the staff of Katoen Natie, and Caroline Dekyndt and Cäcilia Fluck in particular for their organisation of such a pleasant, informative and inspiring weekend.

1 December 2015, Gillian Vogelsang-Eastwood

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TRC Gallery exhibition: 7-28 November: Resist printing and dyeing with indigo

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